běnwén jí yǐ Mǐnyǔ fǎnyìng gǔ wēi gē jì tóngdú, gǔ wén yuán tóngdú de yùndòu zuòwèi fēnxī yánjiū de duìxiàng, yùnyòng xiūdìng de fēnxī fāngfǎ yǔ yánjiū bùzhòu, xiángxì biànxī Mǐnyǔ sān dà cìfāngyán: Mǐnnán, Mǐndōng, Mǐnběi de yùndòu duìyìng guīzé[漢語拼音]
This article takes the Min reflexes of ancient wēi, gē and jì as the same rhyme and ancient wén and yuán as the same rhyme as its object of analytical study, utilising a revised analytical and research methodology to analyse the rhyme correspondences in the three major subdivisions of Min—Min Nan, Min Dong and Min Bei—in detail